The last day of Ivan Bulkin’s life has come. Death is at his front door and wants him to confirm with his signature that he was satisfied with his life. But Bulkin thinks he can trick the grim reaper and cheat death.

When Molly commits suicide, her mother uses technology to relive her experiences and investigate why she died.

Luke Malloy is freaking out. He doesn't want tomorrow to come because tomorrow means starting Middle School...saying goodbye to summer break and hello to homework. And even worse, hello to getting picked on by Meat, the terrible torturer of new kids. Luke's dread of tomorrow is casting a shadow on his enjoyment of his last day of summer, so he makes a wish that the Last Day of Summer would last forever... that his one last perfect day of fun and freedom would never end. But when his wish comes true, he discovers that he's stuck repeating the day over and over again, which, as Luke quickly learns, isn't any better. What do you do when the "ultimate do-over" isn't all it's cracked up to be?

A paraplegic's friends pay him an unannounced visit to challenge his secluded life.

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A film director wants to make a politically charged movie, but is hampered by his producer. At the same time, a friend of his commits suicide, and he goes insane.

The Dalton gang is riding again, forcing a retired gunman to use his weapons once more.

Inspired by Virginia Woolf’s novel Mrs. Dalloway, 'The Last Day' “unfolds over a single summer day in New York, where the lives of two mothers briefly entwine. Julia, a writer and mother, is unsettled by creative stagnation, unprocessed grief, and the approach of her daughter’s adolescence. An unexpected encounter with Taylor—a labor and delivery nurse in the midst of a postpartum crisis—pushes Julia to reconsider the life she has built, and whether she can rediscover herself within it”.

Come to a unique party in Brazil with trans woman Suzy Santos, where for one enchanted day she invites child-spirits called Erês to join her in a sacred ritual of music and dance. Suzy is a priestess of Candomblé - an Afro-Brazilian religion which is one of the few to welcome the vulnerable "travesti" and LGBTQI+ community. It’s not easy to be black and queer in Brazil; a country with deep structural racism where more trans people are murdered than anywhere else in the world. Shunned and cast out from their homes and religious communities, many trans women end up living as street prostitutes to survive. Suzy has created her Candomblé temple as a place of refuge and acceptance for all gender identities, where she guides her community in a religious ceremony to celebrate and incorporate the Erês.

Two friends renegotiate their relationship.